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SHADY LADIES of the METROPOLITAN MUSEUM

These women, famous not only for sex-appeal but also for their talents—and for a spirit which today we would call ‘entrepreneurial’— fascinated both their wealthy patrons and the artists who created the world’s great masterpieces.

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Women’s History Art Museum Tours

Take The Women’s Art History Tour That Has Everyone Talking.

And Learn About History’s Scandalous, Feisty Women

Courtesans, royal mistresses, scandalous women of every sort—the walls of the Metropolitan Museum are lined with them, from ancient Greek hetaerae to Sargent’s Madame X.

These women, famous not only for sex-appeal but also for their talents—and for a spirit which today we would call ‘entrepreneurial’— fascinated both their wealthy patrons and the artists who created the world’s great masterpieces.

But who were they? How did they rise to their positions? And how did they maintain their prominence despite their scandalous reputations?

To find out, join us as we explore the lives and loves that lie behind the paintings. On this fun and informative 2-hour Metropolitan Museum tour, we will learn about:

  • the first nude female statue in ancient Greece and the hetaera who modeled for it
  • the oiran of the pleasure quarter of 18th century Tokyo
  • a Venetian courtesan who published books of poetry
  • the official royal mistresses of the French kings
  • a royal bastard who is the ancestor of many English aristocrats
  • the grandes horizontales of Belle Epoque Paris

And so much more…

Come discover the racy and intriguing backstories behind the Metropolitan Museum’s collections. The Shady Ladies tour will change the way you see the museum—and art itself—forever.

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François Boucher Vénus à la toilette

Isoda Koryusai, Courtesan and Two Attendants on New Year’s Day, 1780s.

This oiran (courtesan) is taking her afternoon promenade down the main street of the Yoshiwara, the pleasure district of Edo, today’s Tokyo. Like most oiran, she is vastly overdressed—wearing two kimonos, a pink robe, and several robes beneath it—and sports a complex, non-symetrical hairdo, and her clogs are so high that she must be tottering. The sash (obi) that ties her kimono is not tied behind her in the normal style, but in front—a sure sign of the oiran. Also, she offers a tantalizing glimpse of exposed neck, the body part treated as sexy in traditional Japanese erotica.

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Thomas Gainsborough, Mrs. Grace Dalrymple Elliott, 1778.

Thomas Gainsborough, Mrs. Grace Dalrymple Elliott, 1778. Unlike many courtesans, Grace Dalrymple did not start life as a common prostitute. Instead, she was a bourgeois married lady whose husband divorced her when he found out about her affair with the Marquess of Cholmondeley. Cholmondeley was her principal patron and among other things commissioned this glorious portrait by Gainsborough, in which she seems to be an aristocratic lady, demurely holding the train of her splendid gold dress. Among her other patrons she counted the Prince of Wales (the future George IV)—possibly the father of her daughter—and the Duc d’Orléans, Louis XVI’s famous revolutionary cousin.

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Edgar Degas, Dancers, Pink and Green, ca. 1890.

Like most working women in 19th-century Paris, ballerinas did not earn enough to live on, and like many, they typically rounded out their income by prostitution. Ballerinas were famously beautiful, however, so this was high-class prostitution: rather than being paid for sex, ballerinas would receive gifts from a patron. Ballerinas were among Degas’ favorite topics, and he sometimes includes the patron in his paintings of them, as he does in this particularly beautiful painting, where the patron is included in silhouette, as if he were casting a shadow on the lives of these bright young girls.

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