People often ask me what the difference is between the Shady Ladies tour and the Nasty Women tour—whether the themes are really different, whether in short they should go on both tours or only one. In fact, the difference between the two tours is very clear, and there is almost no overlap between them. The Shady Ladies tour is about royal mistresses and courtesans, fascinating categories of women that were prominent in cultures distant from our own—and which are major themes in the art of all those cultures, from ancient Greece to Edo-period Japan to Renaissance Italy to Belle Epoque France. The Nasty Women, instead, is about feisty, path-breaking women—women who had more power and/or independence than we usually think women in the past had. Continue reading →
Every Paris tour should include some major sights: even if you’ve seen them before, you can always see new sides. Plus some wonderful food of course. Our Shady Ladies Paris tour includes both of those, with a “Shady Ladies” tour of the Orsay Museum highlighting the racy sides of the collection (on the model of our well-known tour of the Metropolitan) and some truly excellent meals; also a tasting at the patisserie that is most famous for macarons. But we also include a bunch of sights in our Paris tour that you probably haven’t seen—lesser-known sights that even Parisians think it would be cool to see. Continue reading →
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Here is another thing we will see on our Shady Ladies tour of Paris–one of our favorite images of a courtesan: Ernest-Ange Duez’s “Splendeur,” displayed at the Salon of 1874. It was originally part of a diptych, with “Misère” on the other side, showing the #courtesan in her later years, but “Misère” has disappeared. “Splendeur” portrays a courtesan at the *height* of her career and the height of fashion. The frizzy, unnaturally blonde hair, which might look tacky to us, was the absolute latest craze.
It was only in the 1870s that people started to be able to completely change their hair color, and women like the Empress Eugénie were the first to try it out. Indeed, the only thing that separates Splendeur from a well-to-do young lady is the fact that she is wearing too many of the latest fashions at once—that and her left eye lazily winking at the viewer….#Paris #Splendeur
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Say the name “Lucrezia Borgia,” and what do you think of? Incest and poison are probably the first things that come to mind. Lucrezia was born (in 1480), supposedly an illegitimate daughter of Pope Alexander VI (Rodrigo de Borgia). And from that point on, she went from one nefarious deed to another, bearing an illegitimate son, engaging in incest with her father and/or her famous brother Cesare, poisoning people left and right—she supposedly had a hollow ring with poison-tipped pins she could use to prick her victims. In short, she was the original “nasty woman.” Continue reading →
This is Mme. Du Barry–one of the most famous courtesans and royal mistresses of all time! Du Barry was the last of Louis XV’s official mistresses. Louis (it seems) adored her because she was so beautiful that she revived his flagging sex life. She ended her life on the guillotine, but here she is long before, dressed in the 18th century’s version of ‘casual Friday’: a simple gingham dress and straw hat–a style favored by Marie Antoinette, who famously loathed Mme. Du Barry and the racy side of French court life that she represented. Continue reading →
People often ask me how I came up with the idea of giving art history tours about courtesans. There is a short version of that story and a long one. The short one would start with the fact that I have given art history tours of the Metropolitan Museum for a long time. I gave them for students when I was teaching at Columbia and NYU. Last spring I started giving a gay history tour of the Met, which we call “Gay Secrets of the Metropolitan.” And as I gave it, I started noticing how many paintings of courtesans there are in the museum. Continue reading →
Emma Hamilton The way from social obscurity to social stardom has traditionally been even narrower than the strait gate and narrow way to salvation. However, iconic looks, talent, intelligence, and a heaping helping of golden luck have been known to buy one’s way out and up.
Emma Hamilton was born in 1765, among the working poor. Ordinarily, the nearest such a girl would have come to the aristocracy would have been cleaning up after them. She was working as a servant in London at twelve; she moved on to a brothel, then an establishment known as the Temple of Health and Hymen. Her first protector was one Sir Harry Featherstonebaugh. Supposedly she helped entertain his companions by dancing naked on his table. She attracted the notice of the Hon. Charles Greville, nephew of Sir William Hamilton. Charmed, Greville commissioned George Romney to paint portraits of her and make the public aware of the iconic face. Romney became quite obsessed with her and produced numerous portraits that convey both the heat of his interest and his subject’s charisma. At nineteen she was also painted by Sir Joshua Reynolds in a characteristic pose: a mischievous, meditative look over her shoulder, right hand delicately fingering her cheek. Continue reading →
Victorian is almost a substitute term for joylessly prudish to many people. They are wrong; Queen Victoria relished sex with her protective, affectionate husband, Prince Albert of Saxe-Coberg-Gotha. The marital romance portrayed in The Young Victoria by Emily Blunt and Rupert Friend is true to history. However, Queen Victoria disliked pregnancy, babies, and some children, including several of her own, with passion. Her criticism of the less-favored could be stinging in its candor as well as inaccurate. Her sixth child, Princess Louise, born in 1848, was among her less-favored offspring. Through much of Princess Louise’s childhood, the queen sincerely believed that her daughter was “backward.” Having inherited Prince Albert’s cheekbones and graceful bearing, though, Louise was the prettiest of the daughters. Certainly she was the most talented and daring, the one who would lead the life she desired. Continue reading →
A couple of weeks ago I took a meander around the Met to see what new stuff was hanging–and what did I find? Lots of new courtesans! In particular, there is now a whole gallery of Japanese paintings of beautiful women–including a number of courtesans, such as this woman in a scroll from the 1780s by Isoda Koryusai. This painting seems to show the main street of the Yoshiwara, the ‘pleasure quarter’ of the city of Edo (modern Tokyo). A courtesan is promenading with her two assistants (or perhaps apprentices). She is the height of fashion, or perhaps overdone—as was apparently typical of these women—wearing multiple layers of elaborate kimonos, and the huge clogs which were typical of courtesans–clogs which made it impossible to walk naturally (a custom that reminds me of Chinese foot-binding). Continue reading →