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Here is another thing we will see on our Shady Ladies tour of Paris–one of our favorite images of a courtesan: Ernest-Ange Duez’s “Splendeur,” displayed at the Salon of 1874. It was originally part of a diptych, with “Misère” on the other side, showing the #courtesan in her later years, but “Misère” has disappeared. “Splendeur” portrays a courtesan at the *height* of her career and the height of fashion. The frizzy, unnaturally blonde hair, which might look tacky to us, was the absolute latest craze.
It was only in the 1870s that people started to be able to completely change their hair color, and women like the Empress Eugénie were the first to try it out. Indeed, the only thing that separates Splendeur from a well-to-do young lady is the fact that she is wearing too many of the latest fashions at once—that and her left eye lazily winking at the viewer….#Paris #Splendeur
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This is Mme. Du Barry–one of the most famous courtesans and royal mistresses of all time! Du Barry was the last of Louis XV’s official mistresses. Louis (it seems) adored her because she was so beautiful that she revived his flagging sex life. She ended her life on the guillotine, but here she is long before, dressed in the 18th century’s version of ‘casual Friday’: a simple gingham dress and straw hat–a style favored by Marie Antoinette, who famously loathed Mme. Du Barry and the racy side of French court life that she represented. Continue reading →
People often ask me how I came up with the idea of giving art history tours about courtesans. There is a short version of that story and a long one. The short one would start with the fact that I have given art history tours of the Metropolitan Museum for a long time. I gave them for students when I was teaching at Columbia and NYU. Last spring I started giving a gay history tour of the Met, which we call “Gay Secrets of the Metropolitan.” And as I gave it, I started noticing how many paintings of courtesans there are in the museum. Continue reading →